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#36 (permalink) |
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Join Date: Jan 2008
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I favour the herman pass. Though I love how a double undercut right before a spectators eyes can achieve the same thing, without them catching on...
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#39 (permalink) |
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Join Date: Nov 2007
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wait...r u being sarcastic lol?
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#40 (permalink) | |||||||||||||||
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Student
Join Date: Jul 2010
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its totally true, you dont need it. but it makes things so much quicker, you can have thier selection out of the deck and in your pocket before anyone thinks the deck has been cut. In fact think the double undercut whilst totally baffling (after a couple of cuts no one really knows where you put it, top bottom or
Im also a total pass junkie. I learn every one i find and have been known to make up whole ACR performances with it. Just now its the dribble and the spread, but im at home with any
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#41 (permalink) | |||||||||||||||
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Student
Join Date: Dec 2009
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Quote:
I used the hermann pass for a while with mis-direction for a while simply because it was easier to do. Currently I am working on the classic pass to use as a vanish for a sandwich effect, but I still need a lot more practice ![]() For controling the card to the top I use the double undercut when surrounded. |
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#42 (permalink) | ||||||||||||||
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Student
Join Date: Jun 2010
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personally I love the classic pass and herman pass. They are quite possibly the only passes you can master fully and have many different ways to accomplishg the same movements. Spread pass, Jiggle pass, Dribble/riffle pass, etc etc etc. The list goes on and on with the accomplishment of learning these two basic passes.
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#45 (permalink) | ||||||||||||||
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Apprentice
Join Date: Nov 2009
Current Trick: Bluff and Pass methods and principles.
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Isn't riffle and dribble pass just an added movemtn on the classic? I like the outjogged herman pass, it's fairly easy and a little more natural in my opinion. It's also the one I learned more recently, lol. Still working on the classic pass, but it's a slow process!
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